STOMPSYNC
Your board settings,
one song ahead of you.
Every song in the set, with the knob positions, what’s bypassed, the key, the tempo and the words. On a tablet at your mic stand.
You finish the song. There’s applause, then about fifteen seconds. The next one wants the overdrive at 6.5, the chorus off, and a capo on 2. You’re squinting at a pedal in the dark, trying to remember what you settled on at rehearsal three weeks ago.
That’s the fifteen seconds this was built for.
Change songs, and only what moved lights up.
Pick the next song and the knobs that need turning are marked. A pedal that has to come on says so. Everything that stays put stays quiet, so you're reading three changes instead of a whole board. Tap OK and the marks clear.
Photograph your pedalboard and it builds itself.
Point your phone at the board. StompSync reads the pedals, the writing around each knob, and lays them out for you. You'll fix a few numbers — it's a photograph, not a measurement, and it tells you which readings it wasn't sure about. Beats typing out forty knobs by hand.
Words and chords that roll at your pace.
Paste the lyrics, set the scroll speed, hit roll. The key and the tempo sit right next to them in numbers big enough to read from the stool, with a metronome you can tap in.
A new song starts where the last one left off.
Add a song and it inherits the board you're already on, because the next tune is rarely a whole new rig. Or copy the settings off any other song in the set and adjust from there.
Three board layouts, one setlist.
Arrange the pedals the way you want to read them and save it. Keep three arrangements and switch between them — the small stage, the full rig, the acoustic night.
What it isn’t
It doesn’t talk to your pedals. Nothing is MIDI-controlled, nothing switches itself, and no cable runs from the tablet to the floor. StompSync is a very good memory, not a robot. You still stomp.
Bring one setlist. See how the next gig goes.
Photograph the board, type in a handful of songs, and take it to the next rehearsal before you trust it on a stage.
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